EMYN MUIL – Elenion Ancalima (2017)

Well it is May and I have yet to review this which is sort of strange. Emyn Muil is not a name which is far from the lips as this Italian project has been distributed and discussed on dungeon synth forums and been sold through proper DS labels. The somewhat surprising matter is that Emyn Muil is black metal and has DS in a minor role. The somewhat unsurprising fact is that Emyn Muil bends the knee in fealty to Summoning along with his bannermen of Caladan Brood, Elffor and…

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Dungeon Synth Compilation VI: Altar of an Abandoned Sun

On Experimentation I do not know if it is fair to call everything on this compilation experimental;. I think it important to mention that much like its predecessor Ethereal Dungeon Tales, the “experimental” volume does not necessarily mean the artist is experimental nor the work is experimental. The selections on Altar of an Abandoned Sun are certainly pushing towards a certain direction, even away from the traditions of the previous compilation Manuscript of a Different Age. This still does not mean they represent one cohesive statement rather the artists and…

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Dungeon Synth Compilation V: Manuscript of a Different Age

On Tradition I have made mention before, in various articles, how these dungeon synth compilations gravitate towards a split between traditional and experimental. There has been a lot of discussion on the nature of experimentation and where fans and artists draw the line between acceptable and not. Perhaps this discussion on experimentation is apart of most underground scenes. I have always been a proponent of experimentation and the exploration of a style. This does not mean all experimentation is fantastic or even productive just as much as not all traditional…

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Dungeon Synth Compilation IV: Artifacts From The Shadow Realm

I find continuing a project to be as important, if not more than the initial idea. The first round of compilations was created to highlight the current sound of dungeon synth as it stood in 2017. In the spring of 2017, we created three volumes of a compilation which ranged from the traditional to the experimental. While two of those volumes were easily divided up between the two sounds, the compilation from the dungeon synth forum had been and will always be mixed in its sound. This made creating the…

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DUNGEON SYNTH DIGEST XXV

Dungeon Synth Digest XXV

Many years ago, rumor has it, two noted personages in the area, Rogahn the Fearless (a fighter of renown) and Zelligar the Unknown (a magic-user of mystery and power) pooled their resources and expertise to construct a home and stronghold for the two of them to use as a base of operations. The location of this hidden complex was chosen with care, since both men disliked visitors and intruders. Far from the nearest settlement, away from traveled routes, and high upon a craggy hill, the new construction took shape. Carved…

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ALESTORM – No Grave But The Sea

I feel what I am about to say relates and maybe the same as the band Gloryhammer, which is unsurprisingly related to Alestorm. Alestorm, for those not in the know, is a folk metal metal that sings about pirates and adventure almost exclusively. The band is particularly popular with folk metal fans, people who expect a sense of theatrics to be apart of metal, and also those who believe metal is too serious and love a good laugh. It is because of this that the bands popularity is at odds…

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A Life Dreaming: The Fantasies of Richard Dadd

I enjoy fantasy – a lot. Part of my dedications into the idea of fantasy have focused on delving into all aspects of its history. From games to literature to folklore, the term “fantasy” becomes more nebulous when stretched into history becomes even more intangible across centuries when compared to what we know today. Fantastic subject matter before the 20th century has this ethereal quality when placed alongside fantasy art of the last quarter century and becomes the source of great fascination when trying to dissect. A style today that…

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WHITE WARD – Futility Report (2017)

Oh man, people really like sax. White Ward is sort of a new band from the Netherlands who is making quite a name for themselves based on the combination of saxophone within the template of post black. I really wish there was more to say about that but honestly the use of the unorthodox instrument is causing tremors of excitement in people leading to phrases like “black jazz” even though the actual jazz elements are few and far between. Regardless we have masterfully produced record which is supported by Debemur…

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